Tag Archives: music

NordSync Atlas – a new initiative for youth, participation and Nordic cooperation

During the 2025–2026 season, NordSync Project has gradually expanded its field of work.

From the beginning, one of NordSync’s main ambitions has been to connect professional artists across the Nordic and Barents regions and to create opportunities for new interdisciplinary productions, artistic exchange and long-term cooperation. Over the past season, however, another direction has become increasingly important: cooperation with voluntary and non-profit cultural organisations.

Orchestra societies, music associations, cultural organisations, youth ensembles and other locally rooted initiatives play a fundamental role in cultural life throughout the Nordic region. By involving these organisations more actively in NordSync’s work, we have been able to broaden both the reach and the practical impact of our projects, while creating stronger connections between professional artists, young musicians, amateurs and local communities.

This development has already resulted in several concrete projects.

One of them was Kulturkombo, an interdisciplinary youth camp held in Tärnaby, Sweden, in June 2026. During an intensive week, close to one hundred young participants from Norway, Sweden and Finland met across borders and artistic disciplines. Music, theatre, dance, film and other forms of creative expression were brought together in a shared programme where young people could explore new fields, collaborate and create together.

Another major initiative is the Nordic Youth Music Initiative, which will take place in Mo i Rana in October 2026. Rather than being a traditional orchestra course, the project is conceived as a Nordic meeting place for young and amateur musicians from Norway, Sweden and Finland.

Another major initiative is the Nordic Youth Music Initiative, which will take place in Mo i Rana in October 2026. Rather than being a traditional orchestra course, the project is conceived as a Nordic meeting place for young and amateur musicians from Norway, Sweden and Finland.

At the centre of the programme is a large-scale joint orchestra with around 100 participants, including approximately 80 young musicians from the three countries. The project will culminate in the world premiere of a newly composed work by Bodvar Drotninghaug Moe, written for the unusual combination of hardingfele and nyckelharpa as solo instruments together with chamber orchestra and a larger youth ensemble. The collaboration builds further on NordSync’s existing work with Moe and on the project’s ambition to create new repertoire that can live beyond a single premiere.

These experiences have led us to a broader understanding of what NordSync can become.


Introducing NordSync Atlas

From the 2026–2027 season, we are therefore establishing NordSync Atlas – a new programme within NordSync Project focusing on youth, participation, music education and cooperation with voluntary cultural environments across the Nordic regio

NordSync Atlas is both a new direction and a natural extension of our existing work.

Its ambition is to create stronger connections between professional artistic practice, music education, voluntary organisations and young participants in Northern Norway, Sweden and Finland. Through the programme, we want to develop practical models for cooperation that make it easier for young people to meet across borders, learn from professional artists, participate in ambitious artistic projects and become part of a wider Nordic cultural community.

At the same time, Atlas will give greater attention to the organisations and individuals who make cultural activity possible locally: orchestra societies, music schools, teachers, conductors, cultural associations, parents, volunteers and other organisers.

The aim is not to create a separate structure alongside NordSync, but to connect these environments more directly with the international network that already exists.


From network to long-term cooperation

NordSync was originally established as a network for performing artists, with a strong emphasis on interdisciplinary work, knowledge exchange and cooperation across national borders. From the earliest stages, however, the project also recognised the importance of local communities and voluntary cultural organisations.

During the 2025–2026 season, this became a much more explicit part of our programme. Our work increasingly focused on building bridges between professionals and amateurs, involving local organisations in artistic productions, and creating formats where professional artists could also function as mentors, teachers and collaborators.

The response from our partners has strengthened our belief that this direction should become a permanent part of NordSync.

Our Swedish partners have likewise emphasised the importance of east–west cooperation across Scandinavia and of projects that bring together both adults and young people from neighbouring countries.

NordSync Atlas is our next step in developing this work systematically.


What will NordSync Atlas do?

The programme will focus on several closely connected areas: cross-border youth projects, cooperation between voluntary cultural organisations, exchange of pedagogical experience, development of new artistic and educational formats, and stronger links between professional musicians and young or amateur participants.

We also want Atlas to become a platform for mapping and connecting cultural environments that may otherwise work relatively independently from one another.

Northern Norway, northern Sweden and Finland contain a large number of highly active music schools, orchestra societies, associations and local initiatives. Many face similar questions concerning recruitment, artistic development, access to professional expertise, geographical distance and long-term sustainability.

By connecting these environments, we hope that NordSync Atlas can make knowledge, contacts and practical experience easier to share across borders.

The programme is currently taking more concrete shape through discussions with our partners in Sweden and Finland. Together, we are working on the practical structure, priorities and working methods that can make Atlas both useful and sustainable over time.


Integrated into NordSync Forum and NordSync Lab

NordSync Atlas will be directly integrated into NordSync’s existing annual programme.

NordSync Forum will continue to serve as a meeting place for discussion, networking, presentations and development of future projects, while NordSync Lab will provide a practical environment where ideas can be tested through workshops, rehearsals and artistic production.

This means that Atlas will not exist only as a theoretical network. Its activities will be connected to real meetings, educational work and artistic projects.

For the 2026–2027 season, NordSync is planning two major Forum gatherings and four NordSync Labs.

The first NordSync Lab of the new season will already take place in Mo i Rana in October 2026, closely connected with the Nordic Youth Music Initiative and the large Nordic youth orchestra project.

We are also very happy that the spring Forum and Lab are currently planned to take place in Finland. This will be a new main location for NordSync and an important next step after our most recent NordSync Forum in Umeå.

Expanding our physical meeting points from Norway and Sweden into Finland is particularly important for the long-term development of the network and for the ambition behind NordSync Atlas: to create a genuinely Nordic structure in which cooperation moves naturally across national borders.

A new season ahead

NordSync Atlas represents an important development in our work.

We will continue to create projects for professional artists and develop new interdisciplinary productions. At the same time, we want to strengthen the connections between professional culture, music education, voluntary organisations and young people.

We believe these areas should not exist separately.

When professional artists, young musicians, teachers, amateurs and local organisers are given the opportunity to meet and create together, the result can be more than a single concert or project. It can create relationships, knowledge and cultural infrastructure that remain in the region long after an event has ended.

That is the ambition behind NordSync Atlas.

The 2026–2027 season is already taking shape, and we are very much looking forward to sharing more about the programme, our partners and the upcoming activities in Norway, Sweden and Finland.

Follow NordSync Project on our website and Facebook page to stay updated and make sure you do not miss upcoming announcements, events and opportunities to participate.

We are very excited to begin this new chapter.

NordSync Lab – Østfold

A new third movement for Mahler’s Piano Quartet

Fredrikstad & Sarpsborg | 21–22 January 2026

NordSync Lab – Østfold is a central artistic component of NordSync Forum – Østfold, bringing together professional musicians and a composer from across the Nordic region for an intensive artistic laboratory focused on one core question:
How can an unfinished classical masterpiece be completed in a meaningful, contemporary way?

The Lab centres on Gustav Mahler’s Piano Quartet in A minor, a work that survives today as one completed movement from 1876, later complemented by a second movement composed by Alfred Schnittke in 1988. Through NordSync Lab, the quartet receives a newly composed third movement, written specifically for this project and developed in close collaboration between composer and performers.

The result of NordSync Lab – Østfold will be presented in three public concerts:

Together, these concerts form a regional mini-tour and a public showcase of the Lab’s artistic outcome.


About the Lab

NordSync Lab functions as a meeting point between composition, performance, reflection, and experimentation. During the Forum, the ensemble works intensively on the new third movement, exploring how historical material, modern compositional language, and contemporary performance practice can coexist within a unified artistic whole.

The Lab is not only a rehearsal space, but a collaborative process where artistic dialogue is central. The work culminates in live performances that present Mahler’s quartet as a complete, three-movement work for the first time in this form.


Participants

Emma Alrikson – viola (Sweden)

Emma Alrikson holds a Master’s degree from the Royal College of Music in Stockholm and is an active concert musician in Sweden, performing both as a violinist and violist. She recently appeared as soloist in Beethoven’s Violin Concerto with the Växjö Symphony Orchestra. Emma plays a viola made by Sweden’s most renowned instrument maker, Peter Westerlund.

Viktor Pellia – piano (Finland)

Pianist Viktor Pellia has lived in Finland since 2011. He has won numerous prizes in international competitions and has performed as a soloist and chamber musician in Finland, Norway, France, Germany, and Russia. As a soloist, he has appeared with orchestras such as the Karelian State Philharmonic Symphony Orchestra, Kuopio City Orchestra, Oulu City Orchestra, and Savonlinna Camerata. In addition to an active concert career, he works as an accompanist and is currently affiliated with the Tampere Conservatory of Music.

Maria Serafin – cello (Norway)

Maria Serafin grew up in a musical family on Nesodden, Norway, and began playing the cello at the age of ten at Barratt Due Institute of Music. She studied with Hans Josef Groh before continuing her education in Austria, first in Salzburg with Prof. Heidi Litschauer, and later in Graz, where she completed both bachelor’s and master’s degrees in performance and chamber music at the University of Music and Performing Arts Graz.

Maria has been a principal cellist at the Theatre in Graz and performed with ensembles such as Grazer Kammerorchester, Con fuoco, Wiener Bachsolisten, and Grazer Philharmonisches Orchester. After ten years in Austria, she has returned to Norway and now works as a freelance musician and pedagogue in Eastern Norway.

Stepan Frolov- violin (Norway)

Stepan holds a master’s degree from the Norwegian Academy of Music, where he studied with Professor Elise Båtnes. He has participated in numerous festivals as both a soloist and chamber musician. Stepan has had the honor of performing on a violin over 300 years old, on loan from the Royal Swedish Academy of Music in Stockholm.

August Næss Jørgensen – composer (Norway)

August Næss Jørgensen is a musician and composer from Nesna on the Helgeland coast of Norway. He has worked extensively as a performing musician and, in recent years, as a composer for theatre and film/video. After completing his academic degree in music, he developed a strong interest in film music. His work is inspired by composers such as Ramin Djawadi, Hans Zimmer, and Ludwig Göransson, and is characterised by organic sound colours combined with electronic elements and minimalist melodic structures.


From Lab to stage

NordSync Lab – Østfold demonstrates how new music can emerge from dialogue with the past, and how collaborative artistic processes can connect composers, performers, and audiences. Through its three concerts in Fredrikstad, Moss, and Sarpsborg, the Lab opens its work to the public and offers a rare opportunity to experience Mahler’s Piano Quartet as a completed, contemporary artistic statement.

NordSync Lab – Østfold is developed as part of NordSync Forum – Østfold, strengthening artistic exchange, interdisciplinary thinking, and Nordic collaboration.

WE HAVE A WINNER! – Congratulations to August Næss Jørgensen 

We are delighted to announce that August Næss Jørgensen is the winner of NordSync’s composition call “The Missing Movement” – a project inviting young composers to create a new third movement for Gustav Mahler’s unfinished Piano Quartet in A minor.

We received several strong and imaginative submissions, but August’s work stood out for its clear artistic identity, deep understanding of Mahler’s musical language, and a distinctive originality that impressed the entire jury. We are incredibly excited to share his music with audiences soon!

World Premiere – Week 4, 2026
August’s new movement will be performed alongside Mahler’s original movement and Alfred Schnittke’s 1980s reconstruction. This concert series will present a unique artistic dialogue between three composers across generations.

Concerts are planned in:

Fredrikstad
Moss
(possibly) Sarpsborg
Final dates will be announced shortly!

The music will be performed by NordSync Ensemble, featuring professional musicians from Østfold and the Nordic network.


 About the Composer – August Næss Jørgensen

August Næss Jørgensen is a musician from Nesna in Helgeland. He has worked for several years as a performing artist and, in recent years, has also composed music for theatre and film/video. After completing his academic degree in music, he developed a strong fascination for film scoring.

August draws inspiration from composers such as Ramin Djawadi, Hans Zimmer and Ludwig Göransson. His compositions are often characterized by organic sound colours blended with electronic elements, tied together through minimalist melodic structures.

Stay tuned – this will be a concert series exploring the boundaries between reconstruction, contemporary creation, and classical heritage.

Once again, congratulations to August! We are incredibly proud to present a new artistic voice through this project.

#NordSync #TheMissingMovement #Mahler #Schnittke #NordicContemporaryMusic #WorldPremiere #NewVoices #ØstfoldCulture

“INSIDE THE PROCESS: SOUND, STORY & ACCESSIBILITY”

 NordSync Online Seminar #7 
We’re excited to welcome you to our seventh online seminar!
Join us 29 November, 10:00–12:00 (Oslo time) on YouTube:

This edition brings together two inspiring artistic perspectives: one from the world of film and concert composition, and one from a trio redefining what classical music can be today.

Miquel De Jorge Artells (Spain)

Composer for film and concert music • Violinist

Miquel works in both the audiovisual and classical music worlds, creating scores for film, television, and concert performance. His talk —
“Inside the Process: Creating Music for Visual Media and the Concert Stage” —
will take us behind the scenes of his creative workflow:
how ideas form, how sound and image influence one another, and how musical language shifts depending on whether it is written for a screen or a concert hall.

Trio no Treble (Norway)

Featuring:
• Eivind Rossbach Heier
• Jostein Bolås Brødreskift

Trio no Treble is an unconventional string trio consisting of viola, cello, and double bass. With a warm, rich sound and a playful artistic identity, the trio focuses on making classical music open and engaging for audiences of all ages.
They collaborate across genres — from folk and jazz to pop, contemporary music, theatre, and more — creating concerts filled with creativity, humour, and storytelling.

Trio no Treble – How to Make Classical Music Accessible for Everyone”

 Don’t miss this inspiring session on composition, communication, and opening classical music to new audiences — live from the NordSync network!

Date: 29.11.2025
Time: 10:00 (Oslo time)
Online: https://www.youtube.com/live/uzhfrHsmyLc?si=_jRhbl8ih_oPW2LM

Follow us for updates and the streaming link!

“Beyond the Frame: Music, Film & Digital Chaos”

🎬 NordSync Online Seminar #6 🎶
It’s time for our sixth online seminar!
Join us on 8 November, 10:00–12:00 (Oslo time) on YouTube:

This edition brings together two exceptional artists who explore the boundaries between sound, image, and movement:

🎹 Bjørk-Guinevere Kinsella Eide (Norway)
Pianist, conductor, and composer working within classical and electroacoustic music. Her creative process often begins with feelings, images, or colors — transforming sound into visual experience. Bjørk has composed and performed for film, silent film, and theatre. Her latest work Allusions (for piano, electronics, voice & film) premiered at the Festspillene i Nord-Norge 2025. She also performs as an actor in the children’s theatre production Red–Blue–Yellow and is a member of the band Orange+Blue.

🎥 Nikita Diakur (Germany)
An animation artist known for using computer simulations to depict everyday life with chaos, randomness, and humor. A graduate of the Royal College of Art, London, Diakur has received international recognition for his award-winning films Ugly, Fest, and Backflip. He regularly gives lectures and workshops and is part of the Q21 Artists-in-Residence program in Vienna as well as the European Film Academy.

💡 Don’t miss this inspiring session on the intersection of music, motion, and digital art — streaming live from the NordSync network!

 Date: 08.11.2025
 Time: 10:00 (Oslo Time)
 Online: https://www.youtube.com/live/ZprWonlmafE?si=e5UspAFdjGfGXpOv

🌿 Time for a New Season of NordSync Online Seminars!

The first one is already tomorrow!

We’re kicking off the new season of NordSync Online Seminars with two inspiring guests:
Maimu Jõgeda – Estonian accordionist, composer, arranger, and educator,
and Carl Vallin – founder and artistic director of Skallsjö Sommarorkester and concertmaster at the Royal Swedish Opera.

Once again, we’ll explore musical productions that go above and beyond — and as always, you are warmly welcome to join us!

🎶 About our guests

Maimu Jõgeda is an Estonian accordionist, composer, arranger, and educator, known for her distinctive and expressive musical style that blends Estonian and Nordic folk music traditions. She holds a Bachelor’s degree from the Estonian Academy of Music and Theatre and a Master’s degree in Nordic Folk Music from the Sibelius Academy — a joint program that also took her to Sweden, Denmark, and Norway (Royal College of Music in Stockholm, Danish National Academy of Music in Esbjerg, University of Bergen – Ole Bull Academy, and University of the Arts Helsinki).

This year, Maimu released her third solo album, Nordic Reflections, featuring original compositions inspired by Nordic folk traditions. In addition to performing as a solo artist and with ensembles such as Hostikka and Alterne, she is passionate about interdisciplinary collaboration — combining music with theatre and visual art. Recently, she has been working with a theatre pedagogue on a shadow puppet theatre performance and collaborating with an animation artist, exploring how sound and image can grow together. She will also share insights from her project “Musical Walk,”inviting people to experience music through movement and the surrounding environment.


Carl Vallin is the founder and artistic director of Skallsjö Sommarorkester and serves as concertmaster at the Royal Swedish Opera. In this seminar, he will speak about the place of classical music in modern society, building an organisation for artists by artists, and our evolving relationship with the audience.


 Date: 12.10.2025
 Time: 11:00 (Oslo Time)
 Online: 

Join us for an evening of creativity, dialogue, and inspiration — a perfect start to the new season!